|
|
|
Tuesday April 10, 2012
Baltimore rapper Rye Rye recently released the official video for "Boom Boom," the energetic new single from her highly anticipated debut album, Go! Pop! Bang! (due May 15th on M.I.A.'s N.E.E.T./Interscope). The colorful clip takes place in an imaginative and surreal video game world and was directed by LEGS production studio, who have also worked on videos for Florence and the Machine, Goldfrapp, and Selena Gomez.
"Boom Boom" samples the Venga Boys' 90s pop hit, and is currently climbing the Billboard Hot Dance Club charts. Check out Rye Rye performing the song last night on the NewNowNext Awards on LOGO, and be sure to keep an eye out for summer tour dates coming soon (past tour mates include LMFAO, Katy Perry, and M.I.A).
Be sure to visit her official site at ryeryemusic.com for all of the latest news, and pick up "Boom Boom" on iTunes now.
Go! Pop! Bang!
(N.E.E.T./Interscope)
All is noise. All day, every day. Car horns in the city, rainfall in the
country, radio static, passing airplanes, the hum of highways, the rattle of
subway cars, the millions of voices chattering away into chirping phones—the
music of living is loud. From that first blaring buzz of the morning alarm to
the front-door slam at night, we exist inside an orchestra of loud life.
Not all noise is music. Yet Go! Pop! Bang! is a synthesis of everything that
moves in our cities and in our minds—modern life mixed in with a bit of LP wax.
With the arrival of her debut, Baltimore’s Rye Rye has distilled the sounds of
living into an unclassifiable collection of ten tracks, a collision of the mad
movement of every day into a celebratory dance. You might call it rap. It could
be hip-hop. This is undeniable dance music (just try to stand still), but it’s
also pop, beat, rock, hardcore, and industrial melody. Put another way: it
sounds like life now. And tomorrow.
In her 21 years, Rye Rye has lived more than most. Pulling herself up and out of
the Baltimore projects by her own determination, wiling away hours in the city’s
all-ages club scene not to waste her time but to make something of her time.
Seminal shows on station 92Q with DJs like late, legendary K-Swift opened up new
worlds, dance nights morphing into impromptu competitions, feeding her ambition.
All of this sound, vision, bombastic and beautiful boasting have coalesced to
inform her singular persona and performance. (Even The New York Times has taken
notice, raving of her recent HARD NYC set: “Rye Rye delivered her rat-a-tat
rhymes—fast, competitive boasts—over the sparse electronic propulsion of
Baltimore club music while she outdanced everyone else on the festival bill.”)
Studying the music, making music, sharing music, and making mentors along the
way—DJ Blaqstarr helped Rye Rye build a bridge to M.I.A. who quickly signed her
to her own N.E.E.T. label, took her on the road, and collaborated on lead single
“Sunshine.” It sounds easy on paper—work hard, get discovered, conquer the
world. But Blaqstarr and M.I.A. are once-in-a-lifetime mentors who heard
once-in-a-lifetime music and that music is unmistakably Rye Rye’s.
“Pop is a big genre. Hip-hop is a big genre. But I also want to stay in my lane
and get the feeling of where I’m coming from and be able to share that,” she
says, finding her own sound hard to classify even for herself. “If I do a
hip-hop song, it doesn’t sound like a regular hip-hop track; it sounds fresher.
I am doing my own thing.
“When I first started, maybe I was aiming for an album to reach the mainstream,”
she admits. “But when I listen to it now—it’s fresh, it doesn’t sound like
anybody’s album. It puts you in a dancing spirit.”
The earthquake bass of “Rock Off Shake Off” explodes on top of futuristic keys
and celebratory howls, careening from rumbling bass to pop melodies as light as
air. Early club hit “Shake It to the Ground” showed the bare bones Rye Rye in
her element, laying playful playground rhymes above synthetic beats. “Hardcore
Girls” was a youthful proclamation, laying claim to the title of “the baddest
shit,” daring even Superwoman to come close to it. But it’s a track like
“Sunshine” that stands as a testament to limitless vistas opening up for Rye
Rye, a place where boasting is unnecessary, the music alone the sound of her
triumph.
Some might call Go! Pop! Bang! a kind of mash-up of her Baltimore club roots,
but if producers leave the light touch of fingerprints, what you’ll hear first
and loudest is the ground-shaking stomp of Rye Rye’s footprint. Mash-up is too
indelicate to describe a masterstroke like Go! Pop! Bang! This is urban
orchestral music, its conductor is Rye Rye, and you dear listeners are at its
mercy.
“It’s a dance record. It’s a Baltimore club record. But it’s a lot more,” she
says. “It’s a variety of things—a clash of different sounds. The bass and beats
are crazy. Some songs I stepped out of my element, stuff I never imagined doing
before. I didn’t know I could even do it, but it happened! It’s about fun. It’s
for all the dancers, the hipsters, everyone—they’re all gonna take to it.”
|
|